“Lior Shamriz’s misé en scene feeds off the digital and its possibilities, in the capacity of editing to shape the filmed material, in the score that is established with images coming from any part of the screen, in the diegetic music that appears to give place to the musical genre in unexpected moments or in the exaggerated escape of any classification. In that sense, in each one of his works, Shamriz has accomplished the status of a magician, a maker of surprises.”  

(Monica Delgado, DesistFilm)