
PORT SAÏD, SANTA CRUZ, SARMAD KASHANI
14 minutes, 2022
A triptych about projections on bodies, made by projecting on my body.
In spring 2021, I found myself pulled by two different research projects, one of a person who lived in the 1880s who was being coopted and re-coopted by projections, and the other is a story of a 17th century poet who for a moment managed to escape the self he was shut up in when he was born.
SCREENINGS (Selection)
La Cueva Mexico City
Film Forum Tokyo
Oberhausen Kurzfilmtage, International Competition.
NGV Australia, TONO Festival Mexico City
Peabody Museum Salem, MA
EXHIBITIONS (Selection)
Ooze - The Happy Lion Los Angeles
Watch & Chill MMCA Seoul 2022