PORT SAÏD, SANTA CRUZ, SARMAD KASHANI

A triptych about projections on bodies, made by projecting on my body.

In spring 2021, I found myself pulled by two different research projects, one of a person who lived in the 1880s who was being coopted and re-coopted by projections, and the other is a story of a 17th century poet who for a moment managed to escape the self he was shut up in when he was born.